STEAM故事屋:卡丁車大挑戰
SKU: 10317977122

STEAM故事屋:卡丁車大挑戰

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STEAM故事屋:卡丁車大挑戰: (Jonathan Litton) : (Magal Mansilla) : STEAMSTEAMSTEAMSTEAM STEAM STEM STEAMSTEAM Jonathan Litton Magal Mansilla 100

作者: 強納森.立頓 (Jonathan Litton)  |  繪者: 馬嘉莉.曼希拉 (Magalí Mansilla)  |  譯者: 黃筱茵


「STEAM故事屋」是一系列專為孩子設計的STEAM互動圖畫書,每本都介紹一個不同的STEAM主題:科學、技術、工程、藝術和數學,透過精采有趣的互動故事向兒童介紹STEAM的關鍵概念。書中設計了活潑可愛的麥克斯和蘇西兩位主人翁,讓讀者在閱讀時,可以與麥克斯和蘇西一起參加充滿趣味和挑戰的冒險活動或是不同的生活體驗,並和他們一同想辦法解決問題。每本書後面的複習部分即為該書的關鍵主題,邀請孩子們將故事與自己的生活經歷聯繫,藉此提高閱讀理解力。
 
  而在《卡丁車大挑戰》這本書中,蘇西和麥克斯參加卡丁車大賽,一切都很順利,直到……他們陷在泥巴坑裡!他們所遭遇的挑戰只有這個嗎?他們該怎麼辦呢?請跟著蘇西和麥克斯一起在這個有趣、互動的科學故事中,幫助他們克服途中的一些障礙,找到所有問題的解決方案並贏得比賽嗎?
 
本書特色
 
  ◇以圖像為主、故事引導的主題式STEAM繪本◇
  作者以繽紛明亮的色彩為主,輔以生活中有趣的故事,加上兩個勇敢又樂觀的蘇西和麥克斯,展開卡丁車比賽的大挑戰,在蘇西和麥克斯的冒險過程中,鋪陳問題,引導孩子思考,最後循序解決問題,這樣的敘寫方式不但能引起孩子的興趣,也能讓孩子在閱讀中,跟著故事中的主角一起突破層層關卡。
 
  ◆培養STEM能力並訓練邏輯的科學故事◆
  STEAM五大精神包含:跨領域、動手做、生活應用、解決問題、五感學習。而蘇西和麥克斯在卡丁車大賽中的表現,途中雖然經歷層層不同的關卡,而這些問題也涵蓋在不同的領域中,但在兩人同心協力的互助合作下,問題一一迎刃而解,而這樣解決問題的精神也恰符合STEAM能力的五大精神。
 
  ◇複習關鍵能力◇
  在此系列書籍中,都附有複習部分,此部分對於此書的內容進行探討。在和科學相關的本書中,此部分探討了力、能量和材料等等,這樣的複習不但加重讀者對這部分知識的理解,也讓讀者能更進一步探討相關的知識概念。
 
  ◆ 啟發孩子自己探索,動手解決問題 ◆
  在蘇西和麥克斯的比賽中,遭遇了許多難題,他們的解決方式是,討論問題,找出問題的關鍵處,思考辯證,最後嘗試不同方法解決。而在新課綱中,最重要之一的能力就是解決問題,在這樣的故事帶領下,讀者也可以跟著蘇西和麥克斯,一起想想,當我們面臨類似的問題時,我們該怎麼做。

作者
強納森.立頓(Jonathan Litton)
 
  強納森.立頓以散文和詩歌寫了許多兒童讀物。他喜歡用他的科學背景來寫海洋生物、太空和拯救地球,但也喜歡寫海盜、公主和野餐的故事。
 
繪者
 
馬嘉莉.曼希拉(Magalí Mansilla)
 
  馬嘉莉.曼希拉是阿根廷布宜諾斯艾利斯的一位插畫家,她使用多種技術創作她的插圖,但她最想要做的是以夢幻的形式和色彩捕捉童年的魔力。
 
譯者
 
黃筱茵
 
  國立臺灣師範大學英語研究所文學組博士班肄業,曾獲師大英語系文學獎學金。曾任編輯,翻譯書籍逾100冊。擔任過聯合報年度好書評審與信誼幼兒文學獎初選評審,長期為報章書本撰寫圖畫書導讀與小說書評,目前撰寫書評導讀的報刊主要是《中國時報》開卷版、《國語日報》兒童文學版和星期天書房版等。翻譯作品有:《啊──我生氣了!》、《小艾,天花板沾到泥巴了!》、《只有家最好》、《奧利與風》、《哪裡才是我的家?》、《小火車,大冒險》、《選棵松樹過聖誕》、《北極熊》、《熱帶魚泰瑞》、《春天來了》等等。
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SKU: 10317977122

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4.8 ★★★★★
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Madison
Birmingham, US
★★★★★ 5
Quick delivery, Naturally a great and easy gift.
Denomination: 0, Design Name: You're the best. (Animated)
Always a great way to say thank you.
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Reviewed in the United States on June 6, 2026
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Daniel Myers
Lowell, US
★★★★★ 5
A Foundling's Felicity
This book or novel or whatever you may deem fit to call it has so many points in its favour that it's difficult to know where to begin. I think a rundown of a few of the myriad of characters that delight me personally might do for starters: Tom Jones - A young fellow with many "imperfections" if so they may be called, but a robust fellow with a "good heart." Prudence and what is commonly called virtue are not his strong suit - But may I remind the reader that virtue comes from the Latin word for "manliness"- Tom is certainly possessed of the word's etymological origins, if not of its modern usage (particularly in amorous matters)--And a good thing too, or we should have no story here to delight us! Squire Western- Another rambunctious character, who, for me, typifies all that is Eighteenth Century England. Every time he appeared in this book, whether it was to comment on wenching, wine, or riding to hounds a smirk would immediately cross my face followed invariably by chuckling by the end of the chapter. Henry Fielding - The author plays as much a part of the book as any of the characters with many prologues and prefaces and etc. For these, and for much of the rest of the book, I might add, the reader who has not had four years of Latin inculcated into him at an English boarding school would do well to buy the Oxford edition, which fully explains all the learned quotes - Also, as one who was thus inculcated but is inclined to laziness, the Oxford edition's notes prove extremely helpful also. Fielding also gives us a lively picture of the literary life of his time, which the Oxford footnotes do a deft job of explaining- In short, buy the Oxford edition. This review can not be comprehensive. There are simply too many characters to even make a go at encompassing them all. I'm merely describing some of the, to me, more delightful ones. The book as a whole is simply a joy to read, in its comic descriptions of all who will deign to admit that they are human, and of some priggish sorts who will not so deign. I can put it no better than Fielding Himself at the beginning of Book XV: "There are a set of religious, or rather moral writers, who teach that virtue is the certain road to happiness, and vice to misery, in this world. A very wholesome and comfortable doctrine, and to which we have but one objection, namely, that is not true." In short, this is a delightful ramble of a book which, while entertaining the reader not too attached to Sunday School, sheds light on how unvirtuous the virtuous can be, and how kind and good-natured the roguish can be as well as giving us as good a history lesson on the state of affairs in Eighteenth century England (with attention given to the Jacobite Rebellion etc.) as many a "proper" history does. Who, I ask myself, would not delight in this book? ---Well...for the priggish, there's always Jane Austen.
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Reviewed in the United States on January 24, 2007
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Alexander Kobulnicky
Louisville, US
★★★★★ 4
The Sidekick in Early-Modern Literature.
Tom Jones is probably the most influential novel in English history, pioneering elements like complex characterization, social criticism and authorial interjection. But you already knew that. What you want to know is, is this a good book for us in the 21st century. And here, it's not so clear. The dialogue is pretty brisk, and some of the exchanges (the stereotypical Whig Mrs. Western arguing with her Jacobite brother is a particular treat) are actually funny. The latter part of the novel evolves into a farce, with a dozen characters engaged in scheming against one another, while Tom and Sophia helplessly go along. Farce works better in drama, where it has a faster pace, but it's always a welcome mode of comedy. You don't see enough farces. Some of the characters are evocative (why do I picture Blifil as looking like Ted Cruz?) but some are not: Dowling is just a lawyer, and Mrs. Miller is a good woman, like thousands who have come since, and that's all there is to it. It's not as if every character needs to, or can, be a fully realized person, but the parts of the novel spent with these human plot devices do feel mechanical. But Mr. Partridge, Tom's traveling companion, is in a different category altogether, and he just poisons the parts of the novel that he features in (chiefly the middle third). Eighteenth Century literature has a depressing reliance on goofy loose-lipped sidekicks: Mr. Partridge, Hugh Strap, Humphrey Clinker, Andrew Fairservice, Friday. Sometimes they're servants, but sometimes they're just stupid friends. Part of this must be practical: It's difficult to follow a wandering hero (and why are the heroes of these novels always wandering? But that's a different question altogether) without giving him a friend to talk to. Maybe early novelists had a hard time sketching characters who didn't have a way to discuss the ongoing action. But mostly, I think this is the bad influence of Don Quixote, which was becoming increasingly popular in England during this period. Sancho Panza is OK, and he's certainly the funniest element of that leaden tome. But Mr. Partridge *is* Sancho Panza, cowardice, superstition and all, and one Sancho Panza was more than enough. You know? There's a limited number of things that a silly, selfless, lazy pal can do, and it's hard to read about the same old doofus, yet again.
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Reviewed in the United States on April 28, 2016
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Diana S. Long
Bozeman, US
★★★★★ 5
Delightful and entertaining
Format: Kindle
314. The History of Tom Jones: a foundling by Henry Fielding (Novel-Audible/E Book-Fiction) 5* I read along with the Audible of the novel which I found a highly delightful and entertaining experience. The narrator, Bill Homewood, who performed the audio version of the work was excellent doing the various characters as well as the invisible narrator (author) of the story. The Synopsis is as follows: A foundling of mysterious parentage brought up by Mr. Allworthy on his country estate, Tom Jones is deeply in love with the seemingly unattainable Sophia Western, the beautiful daughter of the neighboring squire—though he sometimes succumbs to the charms of the local girls. When Tom is banished to make his own fortune and Sophia follows him to London to escape an arranged marriage, the adventure begins. A vivid Hogarthian panorama of eighteenth-century life, spiced with danger and intrigue, bawdy exuberance and good-natured authorial interjections, Tom Jones is one of the greatest and most ambitious comic novels in English literature. It is rather brilliant, and there is no lack of shenanigans as we follow Jones through his history and the reader never knows when and where the author will abruptly go off on a tangent, told in a most eloquent manner, end with a flourish and no doubt tossed his quill down and took a bow. I am either taken in by some farce or thoroughly enchanted by this author. As Fielding is rather the loquacious writer this read comes in Audible time at almost 38 hours or roughly 1,000 pages but worth every minute spent on it.
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Reviewed in the United States on December 19, 2017
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Hawkeye
Houston, US
★★★★★ 5
An epic nearly 300 years old
Tom Jones is the comical history of a young man who was adopted into a rich family and faces a brother who is against him all while they grow into maturity. It’s kind of like the first part of JoJo’s Bizarre Adventure except with Jonathan and Dio being reversed and with no vampires, but there is a moment where someone gets really scared while watching the ghost in hamlet so there’s at least some notion of the supernatural. Getting into it though, it’s an easy read despite it’s length encompassing 18 books, it’s honestly fascinating that it was able to be written so cleanly considering how many gaps there must of been between these books being written, it reads to us as a consistent narrative, but to imagine the wait and changing times that must have occurred during the duration to the story is really interesting to consider. The role and function of the narrator is probably the only real glimpse of this in narrative as he’s really just talking to us in the first chapter of every book, but the narrator being so clever and charming makes the only thing of interest be him and the relationship we form to him. It’s an incredible experience that I can recommend the entire story for alone. Getting to know the narrator is like talking to an old, reliable friend and it’s worth reading into nearly 300 years on.
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Reviewed in the United States on March 27, 2021

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